![]() |
|||||
CONTENTS FEATURES Fiction Coming Issues Non-fiction Art Gallery Letters Submissions Links Archives CONTRIBUTORS Authors Artists Team Contact Advertising |
Diana Gabaldon is justly famous for her Outlander series, a romance mixed with time travel that seems fated to last almost for ever as more and more volumes appear. An offshoot of this epic is the Lord John series, based around a character who appears only briefly in the 'main' novels.
Through the eyes of the hero and his friends and family we see a historically accurate picture of life in mid-eighteenth century Europe. The author moves effortlessly between ballrooms, barracks and bordellos, and seems as at home on the battlefield as in the drawing room. Minor characters like Lord John's manservant, the shadowy government manipulator, and various gruff soldiers are beautifully drawn. We also see the delicate manoeuvres of men seeking other men in a homophobic society and the rewards and penalties of such searches.
John is a sympathetic character. I hope he finds love. I know it won't be with Jamie Fraser and I worry for my hero; perhaps his own love or hero-worship has spoilt him for other relationships. Meanwhile I am avidly awaiting the next mystery he has to solve. Liz
Nicholson is a retired English teacher with a strong interest in
writing; mainly fantasy, erotic fiction and poetry. She is married with
a grown-up daughter who also writes. Liz lives in a country house in
Portugal. When not reading or writing Liz enjoys travel, history, music
and art. She originally trained as a lawyer and a strong desire for
equality and justice led to a lifelong involvement in anti-racism,
immigration issues, feminism and gay rights. Whilst these beliefs
colour her own work she is just as likely to enjoy others’ apolitical
writing. Author contact | Liz Nicholson
|
Wilde Oats is published
three times a year, in April, August and December. Click here
to be automatically informed of new issues when they are published.
Through
the eyes of the hero and his friends and family we see a historically
accurate picture of life in mid-eighteenth century Europe. The author
moves effortlessly between ballrooms, barracks and bordellos, and
seems as at home on the battlefield as in the drawing room. We
also see the delicate manoeuvres of men seeking other men in a
homophobic society and the rewards and penalties of such searches. |
|||
| All work published in Wilde Oats remains copyright to the author or artist. Publication is subject to an agreement giving Wilde Oats exclusive electronic publishing rights for four months. All fiction, non-fiction and artwork from previous issues is stored in our archives, but may be withdrawn (or published elsewhere) at the creator's discretion at any time. | |||||